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Accordion crimes, by Annie Proulx
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Divided into nine sections and spanning a century and a continent, this novel illuminates the lives of the founders of a nation, descendants of Mexicans, Poles, Germans, the Irish, Scots and Franco-Canadians. Through the music of the accordion they express their fantasies, sorrows and exuberance.
- Binding: Unknown Binding
Amazon.com Review
Proulx found fertile, if rocky, soil for her first two novels (Postcards and The Shipping News) in the far northeastern corner of North America. In Accordion Crimes she ranges much further afield. The novel follows an accordion from the hands of its maker in Sicily in 1890 until it is flattened by a truck in Florida in 1996. In the intervening century it passes through the hands of a host of unlucky owners and their kin: Abelardo Relampago, who dies from the bite of a poisonous spider; Dolor Gagnon, decapitated by his own chain saw; Silvano, cut down in the jungles of Venezuela by an Indian's arrow.
From Publishers Weekly
America's ethnic minorities have rarely been rendered with the insight, intuition and unsentimental candor that Proulx brings to the large canvas of characters and reaches of landscape in this ambitious new work. The narrative has eight parts, each composed of short vignettes that depict the cultural baggage?the attitudes, behaviors and social conditioning?that immigrants brought with them, and the ways in which they joined, yet held aloof from, American society. Beginning in the late 1800s and ending 100 years later, the novel follows a vividly realized cast of characters, whose names are as colorful as their stories: Ludwig Messermacher, Abelardo Relampago Salazar, Dolor Gagnon, Onesiphore Malefoot, Hieronim Przybysz. Their common bond is ownership of a green button accordion, which was brought to these shores by a Sicilian immigrant and, after his death at the hands of a lynch mob, was transported back and forth across the continent by various combinations of inheritance, violence and bad luck. With mesmerizing skill, Proulx summons up the attitudes and speech of her characters, vigorously detailing a formidable number of settings, including New Orleans, Hornet, Texas, Random, Maine, Prank, Iowa, and Old Glory, Minnesota. She can evoke a teeming, fetid slum as clearly as she can a Montana ranch. An invariable characteristic of these immigrants and their families is the tendency to think of others as "Americans." In their own minds, they are still Italians or Germans or Norwegians or Poles or French Canadian or Cajuns. Almost without exception, they express ancient prejudices and newfound racism: the New Orleans natives hate the Italians, who hate the blacks; Iowa's Germans hate the Irish. What makes all this so spectacular is th at Proulx is a master at incorporating potentially numbing detail and specificity?from the components of an accordion to the bloodlines of Appaloosas and the stages of a Polish funeral?into her vigorous prose. Traditional ethnic music?played by various characters during their brief ownership of the increasingly derelict accordion?is conveyed with impressive authority. The range of scenes, from a drunken birthday party that resembles an animated Booth cartoon to a brutal reaction to a civil rights sit-in at a lunch counter, bespeaks a brilliant imagination. Proulx makes grotesque accidents, bloody catastrophes and bizarre events seem an inescapable part of human existence. If eventually some sameness of mood occurs, and a resultant diminution of tension, this is balanced by the reader's interest in the accordion's odyssey and in the lives it touches en route. For this is a cautionary tale in which pride and greed and self-delusion vie with basic human needs for love, comfort and spiritual sustenance. BOMC dual main selection; author tour.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Proulx follows up her award-winning The Shipping News (LJ 2/15/93) with another show stopper. At its heart is an accordion made by an Italian who immigrates to New Orleans with his young son in the 19th century. The man is soon killed by an anti-Italian mob, but the instrument passes from family to family, all immigrants?whether German, Mexican, Polish, or French Canadian?whose lives are heartrendingly detailed. Proulx is clear-eyed and merciless in her description of their battle to survive hardship, prejudice, disease, and the death of loved ones for the chance to fulfill the American dream. Both beautiful and sobering, this book is highly recommended for all collections.
-?Barbara Hoffert, "Library Journal"
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I thoroughly enjoyed reading this book
By Holly Damiani
I thoroughly enjoyed reading this book, but in the beginning it could be a little difficult to follow because the characters were immigrants and parts were in their native language. Also, I had to retread the ending three times to understand what happened. But the story line was very interesting and it was entertaining to follow the travels of the green accordion.
2 of 2 people found the following review helpful.
A Cultural Awakening
By A Customer
Once again, Ms. Proulx has created an extraordinary American tale using an inanimate object (in
this case, a hand-made green accordion instead of sailor's knots) to tie her characters together. It is
necessary to pay close attention while reading this book, as the characters change each time the
accordion takes on new ownership. Although the story starts in Italy, where the instrument is made,
it makes its way across the sea to New Orleans on to Maine and Quebec, Mississippi, Chicago and
elsewhere. The owners are a multitude of immigrants as diversified as the places to which the
accordion goes. Reading this book is a cultural (and geographical!) learning experience-a foray
into the darker, aspects of how America mistreats its foreign émigrés and how they, in turn, mistreat
one another
0 of 0 people found the following review helpful.
Waiting for the hook
By Kindle Customer
Didn't do it for me. I like a book to grab me by the neck and slow- ly squeeze .
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