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Home, by Manju Kapur
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When their traditional business - selling saris - is increasingly sidelined by the new fashion for jeans and stitched salwar kameez, the Banwari Lal family must adapt. But instead of branching out, the sons remain apprenticed to the struggling shop and the daughters are confined to the family home. As envy and suspicion grip parents and children alike, the need for escape - whether through illicit love or in the making of pickles or the search for education - becomes ever stronger.
Very human and hugely engaging, Home is a masterful novel of the acts of kindness, compromise and secrecy that lie at the heart of every family.
- Sales Rank: #1338685 in eBooks
- Published on: 2012-11-01
- Released on: 2012-11-01
- Format: Kindle eBook
Review
"'Enthralling, convincing, absorbing... A magnetically alert, deeply readable novel'. Julie Myerson, Guardian (about A Married Woman)"
About the Author
Manju Kapur lives in New Delhi, where she is a teacher of English literature at Miranda House College, Delhi University. Her first novel, Difficult Daughters, received tremendous international acclaim. Her second novel A Married Woman was called "fluent and witty" in the Independent, while her third, Home, was described as "engaging, glistening with detail and emotional acuity" in the Sunday Times.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Home, not so Sweet Home
By Ralph Blumenau
We learn a lot in this novel about the pressures and rewards (not so many of the latter) of living in a traditional extended but close-knit Indian family of shopkeepers: brothers and their families living in the same house; the submissiveness of women to their mothers-in-law even when these show their resentment of their daughters-in-law; the pressures on wives to produce children - boys for preference - and the disgrace if they fail to do so; the pressure for arranged marriages, and for the eldest daughter to be married before a younger brother; the importance of caste, social ranking, education, skin colour and horoscopes within the marriage market; even young girls having to fast one day a year for their future husbands; the pressure to adopt the children of deceased relatives; the demands of the family shop on all the members of the family and the ethos of unremitting hard work by the men to make the shop prosper; the women, in this novel at any rate, spending the energies left over from cooking and housework in being jealous of each other, and, being particularly status-conscious, in nagging their husbands who, in this novel, are softer than their wives.
The respected, benign and conservative patriarch maintains some kind of unity in the family, but when he dies, the tensions multiply. The patriarch had stood in the way of modernization. The shop had sold nothing but saris. After his death, the second generation modernize the shop, expand into ready-made clothes, and then pull down the old house in which they have been living and build a more modern one - at the cost of, among other things, bribing the local authorities and the police. With great difficulty, the sons push out the nephew who was only a sister's son. The men in the third generation are more ambitious still, now branch out into bridal dresses and all the accoutrements needed for those lavishly described Indian weddings. A new daughter-in-law does not show the traditional submission to the mother-in-law, and keeps herself and her husband separate from the communal living that had been the norm before. In the third generation also a young girl falls `unsuitably' in love and suffers heart-break under the still conservative social restraints of her family.
It is basically a sad book, with none of the characters being really happy and all being caught up in family tensions. Most unhappy of all are the two principal characters - Sona of the second generation and Nisha of the third: Sona because the world around her is changing too fast for her; Nisha because it is not changing fast enough and she is still trapped. We are drawn deeply into this family's story, which is very well told, with what I found a moving ending. The author's style is straightforward, even if it is peppered with many Indian words the English reader will not know; their rough meaning, however, can generally be guessed. Her tone is compassionate rather than censorious, though there is much to be censorious about.
1 of 1 people found the following review helpful.
Excellent.
By Charmaine
I highly recommend Manju's books to anyone who desires to gain insight into Indian culture. Manju is very open and honest in every character she has included and one cannot help but experience the emotions and situations as she unfolds them. I do not recommend these books for young readers as some content (particularly the sexual issues) is better suited to adults. Manju is exceptional in drawing the reader into her novels and allows each experience and emotion to be portrayed in a way that is clear and down to earth. Her writing stirs ones own emotions in many ways too. At times there is a place for sympathy, at other times for compassion and above all a greater understanding of various aspects related to Indian beliefs, traditions, Marriage, food and other cultural aspects as she weaves these into the story. I have loved each of Manju's books I have read and found they held my attention from beginning to end. Not everyone will feel the same way, but for me she is a brilliant writer and embraces human nature and her own culture in a way that I have enjoyed and learnt from. The family as a strong unit was brought to the fore and women took their roles very seriously. One can respect and admire greatly certain values and traditions as you gain understanding. Arranged marriages is an example of this. Children are given respect and love and the parents truly desire the best for them, even when traditions dictate a structure that can be exceptionally difficult for the women as they live together under one roof. Manjur Kapur is truly an excellent writer. She openly brings into her novels situations and content that surprises, but one does accept them as part of her ability to reveal as well as teach. I have enjoyed the books by her that I have read. I will be looking forward to further novels by her.
1 of 1 people found the following review helpful.
HIndu Home, be glad it's not yours.
By MidMom
This is a well written book. The happy endings seem to be about finding more freedom after your MIL is dead or her oppression neutralized when a character fulfills her duty by bearing a son. This book is no advertisement for the status of HIndu women within their extended families. You keep hoping the characters can grow themselves, but the main characters are constantly stymied in all areas of their lives. Every brief fling at rebellion or growth ends poorly. It seems to be about settling in to what you have been allocated as a woman, which is a very narrowly defined and submissive role. That is the only way to achieve even mild contentment for these women. Ugh. The author makes you identify with their feelings and struggles while inadvertently making you understand you are really lucky not to be these women. Whether it is the author's intention or not the book reveals a great deal about the Indian mindset and the traditional "hard wiring" of the culture. Full of intriguing details of daily Indian life in the households. Indian men are largely portrayed as essentially selfish and spoiled mama's boys in the home and alternately greedy and scheming in business. I read the whole slowly unfolding story, but put it down with a profound sense of relief I am a gori and not one of these ladies. No insult, but this is not the life for me. The self perpetuating yet static web of Daughter in law, Mother in law, Mother, Son, relationships was depressing.
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